Click any title to see the work
Date: 1930 02 - C.N.: 302 -
Henghes' earliest known piece. A number of photographs survive of early works of which the whereabouts are unknown.
Date: 1930 03 - C.N.: 303 -
Date: 1930 06 - C.N.: 304 -
Date: 1930 11 - C.N.: 305 -
Date: 1930 12 - C.N.: 301 -
Date: 1931 01 - C.N.: 307 -
Date: 1932 - C.N.: 352 -
Date: 1934 - C.N.: 38 - Stone
Date: 1934 - C.N.: 34 - Stone
Black Stone
Date: 1934 - C.N.: 33 - Stone
Black stone (pietra nera) a hard kind of ardesia. from the beach. Rapallo.
Date: 1934 - C.N.: 31 - Marble
Carrara grey marble which gave off a sulphor smell when cut. Bought in Rapallo
Date: 1934 - C.N.: 29 - Carrara marble
Marble bought in Rapallo. One strong vein
Date: 1934 - C.N.: 27 - Marble
Carrara veined marble called paronazzo(?) Ivory colour. much veined by copper. Bought in Chiavari
Date: 1934 - C.N.: 25 - Carrara marble
A photograph of this sculpture accompanied an article by Ezra Pound in Esquire magazine, August 1934.
Marble was bought in Rapallo at the time Henghes was living and working there.
Date: 1934 - C.N.: 26 - Marble
Porto Venere Stone in which sculpture is carved (known as Port d'oro) was given to Henghes by Mrs. Townley
Date: 1934 - C.N.: 454 -
Date: 1934 - C.N.: 455 -
Date: 1934 - C.N.: 574 - intaglio cut on steel
See on Mattatuck Museum website
Date: 1934? - C.N.: 36 - Stone
Date: 1934? - C.N.: 575 - intaglio cut on steel
See this work on Mattatuck Museum website
Date: 1935 - C.N.: 40 - Stone
Near black stone from Revanto-Bracco
Date: 1935 - C.N.: 39 - Stone
Semi-tranlucent quartzite
Date: 1935 - C.N.: 37 -
The Colophon of the publishing imprint New Directions.
Date: 1935 - C.N.: 35 - Stone
Black Stone found on Rapallo beach.
Date: 1935 - C.N.: 32 - Marble
Carrara white marble. not very clean.
Date: 1935 - C.N.: 30 - Stone
Incised into Ardesia From a quarry on Monteallegro. Rapallo
Date: 1935 - C.N.: 28 - Marble
Date: 1936 - C.N.: 47 - Stone
Ardensia stone.
Date: 1936 - C.N.: 46 - Stone
Braco stone
Date: 1936 - C.N.: 44 - Stone
Date: 1936 - C.N.: 45 - Stone
Soft tufa stone.
Date: 1936 - C.N.: 42 - Marble
Paonazzo Marble. made from a block left over from 'colt'. Arm broke along a vein and is held in place by cement and internal brass pegs.
Date: 1936 - C.N.: 41 - Stone
Black Green stone. olive green in spots. faint blue throughout. Block came from dry part of river bed of the Entella. Weighed about 50kg. Carried by car with the assistance of Ranieri di San Faustino.
Date: 1936 - C.N.: 43 - Stone
Old Braco-Pass stone. Many7 fissures made cutting delicate. The first statue Henghes did to ('carte blanche') comission. For Tripoli home of Conte Guido Visconti di Moderna-Erba. Completed June 10th 1936 Milano after 2 months work.
Date: 1937 - C.N.: 342 -
One of a series of illustrations for a book manuscript by Henghes 'Ecce Ego'
Date: 1937 - C.N.: 343 -
One of a series of illustrations for a book manuscript by Henghes 'Ecce Ego'
Date: 1937 - C.N.: 344 -
One of a series of illustrations for a book manuscript by Henghes 'Ecce Ego'
Date: 1937 - C.N.: 346 -
One of a series of illustrations for a book manuscript by Henghes 'Ecce Ego'
Date: 1937 - C.N.: 347 -
One of a series of illustrations for a book manuscript by Henghes 'Ecce Ego' or 'The First Thing' (See document archive )
Date: 1937 - C.N.: 357 -
Date: 1938 - C.N.: 56 - Stone
Irish green stone.
Date: 1938 - C.N.: 51 - Belguim black granite
Belguim black granite or Connemara marble.
Also known as 'Image'and 'Abstract Image' and 'Moon Image'
According to artists notes the stone is called 'Connemara Marble' "because of lime content soi disant."
Work completed June 10th 1938
Date: 1938 - C.N.: 49 - Marble
Also known as Abstract Form 5
Date: 1938 - C.N.: 48 - Stone
Sold to New York museum of Modern Art. Limestone (Ancaster).
Date: 1938 - C.N.: 279 -
Date: 1938 - C.N.: 722 - Gouache and ink on paper
Date: 1938? - C.N.: 50 -
Ironwood
Date: 1939 - C.N.: 57 - Wood
Ironwood
Date: 1939 - C.N.: 55 - Marble
Swedish green marble.
Date: 1939 - C.N.: 54 - Marble
Sarravezza veined marble
Date: 1939 - C.N.: 53 - Stone
Verdi di Prato agglomerate. Peggy Guggenheim
Date: 1939 - C.N.: 52 - Red Sandstone
Originally titled 'Guda' this piece illustrated an article by Henghes in the April 15 1939 edition of the London Bulletin 'My Sculptures Bear Strange Names'.
City Art Gallery Museum. Wakefield. Yorks.
Date: 1940 - C.N.: 114 - Ink on paper
This drawing is annotated 'aboad S.S. Dunera'. The Dunera was a ship taking Henghes and many other 'alien' Artists and writers to Australia where they were deported from the U.K. following the outbreak of WWII.
Date: 1940 - C.N.: 550 - Ink on paper
This drawing was made whilst Henghes was on board the 'Dunera' a ship bound for Australia carrying internees including many artists and musicians.
Date: 1940 Dec 06th - C.N.: 117 - ink on paper
Abstract figures. Signed Henghes London
Date: 1940 Dec 15th - C.N.: 484 -
'Monument of an Ancient Civilization' dated Dec 15 '40.
There is some largely obscured writing in the dark area to centre left. Some words seem to be 'Hoo is to Mayarrim'
A note by Prunella Clough on the back of the pictures frame reads; "This drawing was made by Heinz Henghes in Australia during the 1939-45 war, and given to me in the 50s."
Date: 1940 Dec 19th - C.N.: 115 - Ink on paper
paper mounted on cardboard
Date: 1940 Dec 20th - C.N.: 547 - Ink on paper
Drawn in Australia, presumably at camp Hay, shortly after arriving on the Dunera.
Inscribed To Roland Penrose
Date: 1940 Dec 21st - C.N.: 354 -
Date: 1940 Dec 27th - C.N.: 118 - charcoal on paper
Dated Dec 27 in the lower right corner. On this date Heinz would have been in Australia where he was for a time interned by the British as an alien due to the fact that at the outbreak of war he had German nationality.Paper mounted on cardboard
Date: 1940s - C.N.: 113 - Charcoal on paper
Date: 1940s - C.N.: 136 - charcoal and red brushed ink(?) and pastel
No date, no signature. Perhaps 40s or early 50s?
Date: 1940s - C.N.: 181 - brushed ink on paper
Abstract and plants (?). No date, no signature
Date: 1940s - C.N.: 190 - charcoal and pastel on paper
late 40s? early 50s? No date, no signature
Date: 1940s - C.N.: 203 - ink drawing on paper
Portrait of a woman (face); Mme Coucou de St. Leon? No date, no signature
Date: 1940s - C.N.: 251 - charcoal and pencil (?) on paper
50s? No date, no signature
Date: 1940s - C.N.: 255 - charcoal on paper
1950s? No signature, no date.
Date: 1940s - C.N.: 741 - Terracotta
Date: 1940s - C.N.: 745 -
Date: 1940s - C.N.: 746 -
Date: 1940s - C.N.: 747 -
Date: 1940s? - C.N.: 94 -
Date: 1941 - C.N.: 452 - Pen
Front page of a copy of the Play 'Don Quixote' by Henghes.
Given to the painter Prunella Clough and carries the inscription 'Henghes to Prunella - Xmas 1941 London'.
Date: 1941 - C.N.: 485 -
In the lower left of the drawing there is the incription 'A Louise pour son VIIIeme anniversaire - Henghes London'
In the lower right corner is the date Oct 28 '41
Date: 1942 - C.N.: 723 - Crayon and pencil on paper
Inscribed London lower right
Date: 1942 June - C.N.: 489 - Ink on paper
Inscribed 'For Clifford Hall - Henghes London June 12 1942
Date: 1945 - C.N.: 63 - Stone
Date: 1945 - C.N.: 62 - Marble
Date: 1945 - C.N.: 60 - Marble
Date: 1945 - C.N.: 59 - Stone
Slate
Date: 1945 - C.N.: 58 - Stone
Granite.
Date: 1945 - C.N.: 68 - Wood
Date: 1945 - C.N.: 182 - watercolour and ink on paper
Study for scilpture ? 2 views?Signed Henghes 45
Date: 1945 - C.N.: 278 -
Date: 1945 - C.N.: 465 -
Date: 1945 - C.N.: 552 - Concrete
Date: 1945 - C.N.: 721 - Watercolour and ink on paper
Inscribed To Charles lower right
Date: 1945? - C.N.: 350 -
Date: 1946 - C.N.: 67 - Terra Cotta
Date: 1946 - C.N.: 64 - Terra Cotta
Date: 1946 - C.N.: 61 - Marble
Notes by Henghes written on the completion of this work:
Venus, finished May 1946 after almost 3 1/2 months work is so far the largest stonecarving I have done. I stole the block which was lying in a garage by claiming to the tenant that it was mine. It is lovely, gray crystalline marble. This and the bust done a year ago are the beginning of a new humanism in my work. I have given up abstraction for good now in this and through venus I have satisfied myself of the promise of new life in this retour a l'aube which I will make the tenor of the future. The work has exhausted me. I feel tired and indifferent because of the let up of nervous strain the work on this statue has been. It now stands calm and poised in my studio in a silence of its own and I cannot yet judge this venus.
Date: 1946 08 - C.N.: 260 - ink and watercolour on paper
Skillof an animal. dog? Dated August 46. No signature
Date: 1946? - C.N.: 478 -
Study for ceramic plate
Date: 1948 - C.N.: 146 - tempera on paper
Portrait of woman = Mme Coucou de St. Leon. Signed H. Henghes August 21 1948. Mounted on cardboard.
Date: 1948 - C.N.: 338 - ceramic tile
Date: 1948 - C.N.: 348 -
Date: 1948 - C.N.: 355 -
Date: 1948 - C.N.: 612 -
Date: 1948? - C.N.: 66 - Terra Cotta
Date: 1948? - C.N.: 349 -
Date: 1948? - C.N.: 482 - Ceramic
Date: 1949 - C.N.: 16 - Wood
A serpentine fish carved in wood. an unusual piece for Henghes - Exhibited at Royal Society of British Artists Suffolk Street show in December 1949
Date: 1949 - C.N.: 4 - Glazed pottery plate
During the 1940s Henghes produced many ceramic works. Larger dishes painted with different coloured glazes are perhaps the most common pieces. but from this period there also exist tiles. tabletops. and a complete chess set and board.
Date: 1949 - C.N.: 69 - Charcoal on paper
Date: 1949 - C.N.: 71 - Terra Cotta
The Girl is thought to be a model at the Royal College of Art where Henghes was lecturing at the time.
Date: 1949 - C.N.: 259 - ink and water colour on paper
Signed H. Henghes 49
Date: 1949 - C.N.: 356 -
Date: 1949 - C.N.: 726 - Ceramic
Date: 1949 Sept - C.N.: 611 -
Inscribed 'To Colin' 'La Laveuse S. Leon Sept 7 '49'. Colin Gow was Henghes' father-in-law. St Leon is a village in the Dordogne where Henghes had a holiday cottage for a few years before moving to a house a little further along the valley to live.
Date: 1949? - C.N.: 72 - Terra Cotta
Date: 1950 - C.N.: 65 - Marble
A note by Henghes on this work written in 1950:
Madonna, my largest stonecarving so far, occupied me about 9 months. Made for St Mary le Park Church Albert Bridge Rd. Battersea. Stone paid for by Stefan Hopkinson and Brian Dupre the Vicar, cost £75.- My work given as a gift. Received a great deal of publicity due to silly objections raised by 3 women who called it blasphemous, obscene etc. Exhibited Antwerp Open Aire Exhibition 1950. To be exhibited Battersea Park Open Air Exhib. 1951 and is to go into the Church at the end of that exhibition.
Date: 1950 - C.N.: 23 - Concrete
Modelled in clay at Royal College or Art in 1.5 months. Cast in quick dry aluminous concrete (quartz sand 2.5 to 1 to .5 water) hollow. Shown at the Festival of Britain 1951. Now at Londons' Camden School for Girls.
Date: 1950 - C.N.: 70 - Charcoal on paper
Date: 1950 - C.N.: 112 - Charcoal on paper
Self portraits are highly unusual amongst Henghes work.
Date: 1950 - C.N.: 139 - charcoal and red pastel on paper
Date: 1950 - C.N.: 140 - charcoal on paper
Date: 1950 - C.N.: 228 - charcoal and pencil? on paper
4 pieces of paper mounted on cardboard. Signed H. Henghes 50
Date: 1950 - C.N.: 708 -
Date: 1950 - C.N.: 744 - Crayon on Paper
Date: 1950? - C.N.: 14 - Limestone
Metal bars are inset in stone to give the effect of an instrument.
Date: 1950? - C.N.: 73 - Marble
Date: 1950? - C.N.: 727 - Ceramic
Date: 1950s - C.N.: 15 - Carrara marble
Date: 1950s - C.N.: 92 - charcoal on paper
Neither signed nor dated. "Phoenix de Cins" (?) Colour: highlighted with white paint.
Date: 1950s - C.N.: 93 - paint on paper
Signed H. Henghes. Date unclear. Colours: ochre, dark purple
Date: 1950s - C.N.: 121 - charcoal on paper
No signature. perhaps 60s?with a touch of egg tempera
Date: 1950s - C.N.: 127 -
Date: 1950s - C.N.: 145 - black paint on paper
Date: 1950s - C.N.: 152 - charcoal and tempera on paper
No date, no signature. 50s or early 60s?
Date: 1950s - C.N.: 153 - charcoal and thin tempera on paper
late 50s? No date, no signature
Date: 1950s - C.N.: 172 - charcoal on paper
charcoal and witish colour wash.4 abstract female figures; muses?No date, no signature
Date: 1950s - C.N.: 191 - charcoal and pasrtel on paper
Charcoal and yellow pastel on grey paper. No date, no signature
Date: 1950s - C.N.: 205 - egg tempera and charcoal
late 40? beginning of 50s? No date, no signature
Date: 1950s - C.N.: 207 - charcoal on paper
Portrait of a woman (head and shoulders). late 50s? early60? No date, no signature
Date: 1950s - C.N.: 212 - charcoal and pastels on paper
Nude, female. No date, no signature
Date: 1950s - C.N.: 213 - charcoal, pastels, pencil, tempera on paper
4 drawings : groups of people
Date: 1950s - C.N.: 222 - tempera on paper
No date, no signature. 50s? 60s?
Date: 1950s - C.N.: 231 - charcoal and light tempera
Study for a sculpture, man and woman. No date, no signature. 1950s? 1960s?
Date: 1950s - C.N.: 236 - charcoal and tempera on paper
Man and woman sitting on bench
Date: 1950s - C.N.: 245 - chardoal and tempera on paper
Two drawings one on each side of sheet. On back: 3 figures (women) with cloth
Date: 1950s - C.N.: 271 - Egg tempera on paper
Mounted on cardboard. >Portrait of Daphne?
Date: 1950s - C.N.: 274 - Plaster
Date: 1950s - C.N.: 275 - white marble
Date: 1950s - C.N.: 280 - Marble
Date: 1950s - C.N.: 286 - Marble
Date: 1950s - C.N.: 290 - Fossilstone
Exhibited as part of Hanover Gallery show 17 sept to 17 oct 1959, St George Street, London
Date: 1950s - C.N.: 291 - Marble
Date: 1950s - C.N.: 294 - Marble
Date: 1950s - C.N.: 332 - cement
Date: 1950s - C.N.: 476 -
Date: 1950s - C.N.: 499 - egg tempora on paper
Date: 1950s - C.N.: 501 - watercolour on paper
Date: 1950s - C.N.: 532 - plaster
Date: 1950s - C.N.: 535 - wood
Made to adorn the post of a sheltered table on the terrace at Henghes home in France
Date: 1950s - C.N.: 537 - plaster
Date: 1950s - C.N.: 638 -
Date: 1950s - C.N.: 728 -
Date: 1950s - C.N.: 733 -
Date: 1950s - C.N.: 736 -
Date: 1950s - C.N.: 764 -
Date: 1950s? - C.N.: 103 -
Date: 1950s? - C.N.: 194 - tempera on paper
Study for sculpture. No date, no signature
Date: 1950s? - C.N.: 272 - Tempera on paper
No date, no signature
Date: 1950s? - C.N.: 317 - Stone
Date: 1950s? - C.N.: 318 - Ceramic
Date: 1950s? - C.N.: 319 - stone
Date: 1950s? - C.N.: 386 - Stone
Date: 1950s? - C.N.: 521 - Egg tempora
Numbered 51 in corner - possibly a design for ceramic
Date: 1950s? - C.N.: 522 - egg tempora
Numbered 23 possibly a design for ceramic
Date: 1950s? - C.N.: 523 - Egg tempora
Numbered 67 possibly design for ceramic
Date: 1950s? - C.N.: 524 - egg tempora
Possibly a design for a ceramic pice - 'Miriam' in corner.
Date: 1950s? - C.N.: 525 - egg tempora
Date: 1950s? - C.N.: 526 - egg tempora
Numbered 32 possibly a design for a ceramic
Date: 1950s? - C.N.: 527 - egg tempora
Numbered 42 - possibly a design for a ceramic
Date: 1950s? - C.N.: 528 - egg tempora
Numbered 32 possible a design for a ceramic
Date: 1950s? - C.N.: 529 - egg tempora
Numbered 53 - possibly design for a ceramic. Has the faint outline of what may have been an alternative sketch on the reverse
Date: 1950s? - C.N.: 530 - egg tempora
Numbered 23 - may be a design for a ceramic
Date: 1950s? - C.N.: 531 - egg tempora
Possibly a design for a ceramic
Date: 1950s? - C.N.: 540 - plaster
Date: 1950s? - C.N.: 545 - ceramic
Date: 1950s? - C.N.: 546 - ceramic
Date: 1950s? - C.N.: 625 -
Date: 1950s? - C.N.: 628 -
Date: 1950s? - C.N.: 656 -
Date: 1950s? - C.N.: 670 -
Date: 1950s? - C.N.: 671 -
Date: 1950s? - C.N.: 757 - Painted Ceramic
Date: 1951 - C.N.: 108 - charcoal on paper, paper glued on carton
Signed Henghes 51. Woman, lying on a bed (?) or square sheet. Colour: white paint highlighting.
Date: 1951 - C.N.: 224 - charcoal and pastels on paper
Signed H. Henghes 51. Sketch on back.
Date: 1951 - C.N.: 253 - charcoal and pastel on paper
paper mounted on card. Signed H. Henghes51
Date: 1951 - C.N.: 766 - Pastel and Charcoal on paper
Date: 1951 - C.N.: 767 - Pastel and Charcoal on Paper
Date: 1951? - C.N.: 743 - Ciment Fondu
Date: 1952 - C.N.: 367 - Plaster for Bronze
Bust commissioned by Renato Wilde. Jean Genet came to London with Wilde in January 1952 and sat for the bust at Henghes' Albert Bridge Studios. Initial sketches were made on the 20th and the plaster cast (shown here) was completed by the 25th Jan. A bronze cast would also have been made.
Genet and Henghes knew each other over a number of years with most of their meetings being at Wildes villa Rospini in Rapallo. (See also article on pool at the villa Rospini).
Date: 1952 - C.N.: 765 - Pencil on paper
Date: 1952? - C.N.: 74 - Stone
Date: 1952? - C.N.: 451 - Iron
Date: 1953 - C.N.: 75 - Plaster
Entry for a competition held by the ICA. The aim of the competition was to create a memorial "to pay tribute to those individuals who, in many countries and diverse political situations, had dared to offer their liberty or their lives for the cause of human freedom". The competition itself was won by Reg Butler though the project was abandoned in 1960.
Only two of the four original figures survive.
Date: 1953 - C.N.: 87 - charcoal on paper, glued on cartoon
Signed Tursac 53 H. Henghes. Colours blue and ochre
Date: 1953 - C.N.: 95 - charcoal on paper, paper glued on carton
Signed Tursac 53 H. Henghes. Upright figures of a man and a woman. Colours: green, ochre.
Date: 1953 - C.N.: 98 - charcoal on thin, jellow paper
Signed Mai 12 H. Henghes 1953. Masturbating woman. Colours: grey, red, ochre.
Date: 1953 - C.N.: 104 - charcoal on paper, paper glued on carton
Signed Tursac 1953 H. Henghes. Two women, one sitting, one standing. Colours: jellow, blue, red.
Date: 1953 - C.N.: 147 - charcoal and water colour on paerpe
Male torso in 5 views. Signed H. Henghes, juillet 53, Etudes pour torso en perre jaune.
Date: 1953 - C.N.: 173 - charcoal on paper
Charcoal and watery tempera (?)Signed H. Henghes, juillet 53.On the back a sketch of a seated woman.
Date: 1953 - C.N.: 186 - charcoal and egg tempera on paper
Signed H. Henghes . juin 1953
Date: 1953 - C.N.: 217 - charcoal and tempera on paper
Early sketches for the abondance? Signed H. Henghes juin 53
Date: 1953 - C.N.: 474 -
With inscription 'Pour Mme de Gaffroy'
Date: 1953 - C.N.: 515 - watercolour and charcoal
Henghes and his wife kept their own goats when they moved to France in 1953
The drawing says 'Tursac 53' in the corner.
Date: 1953 - C.N.: 716 -
Date: 1953 - C.N.: 737 - Egg Tempera on Paper
Date: 1953 - C.N.: 738 - Egg Tempera on Paper
Date: 1953 - C.N.: 760 - Egg Tempera on Paper
Date: 1953 - C.N.: 763 -
Date: 1953 Nov - C.N.: 609 -
Inscribed "Tursac Nov 53" a drawing made a few months after Henghes moved to live and work in France.
Date: 1953 Nov. - C.N.: 500 - watercolour / charcoal
Mounted on card
Date: 1954 - C.N.: 198 - charcoal on paper
Signed H. Henghes 54
Date: 1954 - C.N.: 206 - charcoal on paper
Signed H. Henghes 1954
Date: 1954 - C.N.: 218 - charcoal on paper
Seated female figure, holding string (?). Signed H. Henghes 54
Date: 1954 - C.N.: 333 -
Made for the Hotel Lafon in Tursac this piece now hangs in the Mairie de Tursac (the town hall).
Date: 1954 - C.N.: 358 -
Date: 1954 - C.N.: 473 -
Mural
Date: 1954 - C.N.: 571 - Charcoal and Egg Tempera
Date: 1954 - C.N.: 618 -
Date: 1954 - C.N.: 750 - Egg Tempera on paper
Date: 1954? - C.N.: 24 - Limestone
Date: 1954? - C.N.: 76 - Cast cement
Date: 1954? - C.N.: 390 - stone
Date: 1954? - C.N.: 401 - Marble
Date: 1954? - C.N.: 572 - Limestone
Date: 1955 - C.N.: 79 - charcoal on paper
signed H. Henghes 55.woman sitting on chair, holding child. 2 (3?) aspects, front and side view.
Date: 1955 - C.N.: 89 - charcoal on paper
Signed H. Henghes 55. Colours: red, jellow, green. Etudes pour torses
Date: 1955 - C.N.: 97 - charcoal on paper
Signed: H. Henghes 55. Woman reclining in a turning movement. Colours: ochre, pink, red
Date: 1955 - C.N.: 100 - charcoal on paper, paper glued on carton
Signed Henghes 55. Colours: ochre, red
Date: 1955 - C.N.: 107 - charcoal on paper
Signed H. Henghes 55. 2/3 torso of a woman with folded hands. Colours: red, ochre.
Date: 1955 - C.N.: 111 - charcoal on paper
Study for a marble cross for the Chateau of Hautefort in the Dordogne.Notes say 'Projet 7 pour Hautefort - Terre a haut 2.60m socle 50cm Croix 2.10m'
Date: 1955 - C.N.: 157 - charcoal and tempera on paper
Signed H. Henghes 55
Date: 1955 - C.N.: 209 - charcoal and tempera on paper
Paper folded. Signed H. Henghes 55, Buste du....?Polt?
Date: 1955 - C.N.: 211 - charcoal and tempera on paper
Study for a sculpture. Woman lying, 3 views. Signed H. Henghes 55
Date: 1955 - C.N.: 214 - charcoal and tempera on paper
2 seated figures on bench. Signed H. Henghes 55.
Date: 1955 - C.N.: 219 - charcoal and tempera on paper
Signed H. Henghes 55
Date: 1955 - C.N.: 227 - charcoal and tempera on paper
Signed H. Henghes 55.
Date: 1955 - C.N.: 649 -
Date: 1955 - C.N.: 711 -
Date: 1955 - C.N.: 735 -
Date: 1955 - C.N.: 739 - Charcoal and Egg Tempera on Paper
Date: 1955 - C.N.: 742 - Egg Tempera and Charcoal
Date: 1955 - C.N.: 749 - Egg Tempera on paper
Date: 1955 - C.N.: 759 - Egg Tempora on Paper
Date: 1955? - C.N.: 12 - Limestone
Now standing in the village of Tursac. France. outside the Salle des Fetes.
Date: 1955? - C.N.: 298 - Limestone
Made for the park of the Chateau de Hautefort in the Dordogne.
Date: 1955? - C.N.: 299 - stone
Date: 1955? - C.N.: 359 - Plaster
Date: 1955? - C.N.: 404 - Limestone
Date: 1955? - C.N.: 441 - Ceramic Plate
Date: 1955? - C.N.: 472 -
Date: 1955? - C.N.: 487 - Plaster
Date: 1955? - C.N.: 533 - plaster
Maquette for sculpture
Date: 1955? - C.N.: 548 - Stone
Date: 1955? - C.N.: 751 - Plaster
Date: 1956 - C.N.: 19 - Limestone
Date: 1956 - C.N.: 11 - Carrara marble
White Carrara Marble used to good effect in this unique piece.
Date: 1956 - C.N.: 83 - charcoal (?) and paint on paper
signed H. Henghes 56.
Date: 1956 - C.N.: 88 - paint on paper, paper glued on carton
Signed H. Henghes 56. Colours: blue, grey, jellow
Date: 1956 - C.N.: 148 - tempera on paper
Signed H. Henghes 56
Date: 1956 - C.N.: 166 - Tempera on paper
Mounted on cardboard.Adam and Eve, front and side viewSigned H. Henghes 56
Date: 1956 - C.N.: 200 - charcoal and tempera on paper
Mounted on cardboard. Paper was folded. Signed H. Henghes 56
Date: 1956 - C.N.: 202 - charcoal and tempera on paper
2 figures (males) and cat. Signed H. Henghes 56.
Date: 1956 - C.N.: 210 - charcoal and egg tempera
2 figures. Man and woman dancing. Signed H. Henghes 56.
Date: 1956 - C.N.: 223 - charcoal and tempera on cartridge paper
Signed H. Henghes 56
Date: 1956 - C.N.: 248 - charcoal and tempera on paper
Woman and cat playing with yarn. sogmed H. Henghes 56
Date: 1956 - C.N.: 273 - tempera on paper
Seated woman and flowers in vase. Signed H. Henghes 56
Date: 1956 - C.N.: 536 - Egg Tempora on board
A large piece painted for the schoolroom of the Tursac village school.
Date: 1956 - C.N.: 603 - Egg Tempera on paper
Date: 1956 - C.N.: 752 - Egg Tempera on Paper
Date: 1956 - C.N.: 753 - Egg Tempera on Paper
Date: 1956 - C.N.: 756 - Egg Tempera on Paper
Date: 1956 - C.N.: 758 - Egg Tempera on Paper
Date: 1956? - C.N.: 334 -
Date: 1956? - C.N.: 335 -
Date: 1956? - C.N.: 336 -
Date: 1956? - C.N.: 360 - Stone
Date: 1956? - C.N.: 389 - Limestone
Date: 1956? - C.N.: 396 - Marble
Date: 1956? - C.N.: 439 - Bronze
Date: 1956? - C.N.: 481 -
Drawing of siamese cat 'Bobo'
Date: 1957 - C.N.: 13 - Carrara marble
Torsos are a common feature of Henghes work especially in Carrara marble
Date: 1957 - C.N.: 84 - paint on paper
Signed H. Henghes 57.
Date: 1957 - C.N.: 96 - charcoal on paper
Signed H. Henghes 57. Woman, reclining, man sitting upright. Colours: Blue, light ochre, brownish red.
Date: 1957 - C.N.: 220 - charcoal and tempera on paper
Study for a sculpture (seated torso). On back sketch of a black figure. signed H. Henghes 57
Date: 1957 - C.N.: 221 - charcoal and tempera on cartridge paper
Signed H. Henghes 57
Date: 1957 - C.N.: 308 - Marble
Date: 1957 - C.N.: 422 - Marble
Part of a series for the pool of the Villa Rospini in Como, Italy
Date: 1957 - C.N.: 423 - Marble
Part of a series for the pool of the Villa Rospini in Como, Italy
Date: 1957 - C.N.: 424 - Marble
Part of a series for the pool of the Villa Rospini in Como, Italy
Date: 1957 - C.N.: 425 - Marble
Part of a series for the pool of the Villa Rospini in Como, Italy
Date: 1957 - C.N.: 426 - Marble
Part of a series for the pool of the Villa Rospini in Como, Italy
Date: 1957 - C.N.: 427 - Marble
Part of a series for the pool of the Villa Rospini in Como, Italy
Date: 1957 - C.N.: 428 - Marble
Part of a series for the pool of the Villa Rospini in Como, Italy
Date: 1957 - C.N.: 429 - Marble
Part of a series for the pool of the Villa Rospini in Como, Italy
Date: 1957 - C.N.: 602 - Egg Tempera
Date: 1957? - C.N.: 544 - egg tempora on board
Date: 1958 - C.N.: 17 - Marble
Date: 1958 - C.N.: 204 - charcoal and tempera on paper
2 (3?) figures, one reclining. Signed H. Henghes 58.
Date: 1958 - C.N.: 293 - Marble
Date: 1958 - C.N.: 339 - Plaster
Date: 1958 - C.N.: 397 - Marble
Date: 1958 - C.N.: 403 - Serpentine Marble
Date: 1958 - C.N.: 453 -
Date: 1958 - C.N.: 616 -
Date: 1958 - C.N.: 617 -
Date: 1958 - C.N.: 619 -
Drawing showing various perspectives and ideas for the sculpture Reclining Man
Date: 1958 - C.N.: 729 -
Date: 1958 - C.N.: 730 -
Date: 1958 - C.N.: 731 -
Date: 1958 - C.N.: 732 -
Date: 1958 - C.N.: 734 -
Date: 1958? - C.N.: 6 - Carrara Marble
Made from what is perhaps Henghes favourite material. carrara marble. Henghes first worked in this pure white marble during his time in Rapallo. Italy. when he visited the quarries and selected the stone as it was cut.
Date: 1958? - C.N.: 402 - serpentine marble
Date: 1958? - C.N.: 512 - watercolour on paper
Date: 1959 - C.N.: 81 - charcoal on paper
Signed H. Henghes 59.on left side jellow and green stripe.
Date: 1959 - C.N.: 99 - paint on thick paper
Signed H. Henghes 59. Colours: grey, green
Date: 1959 - C.N.: 109 - charcoal on heavy paper
Signed H. Henghes 59. sketch for am abstract sculpure (lying on a table). Colours: grey, green
Date: 1959 - C.N.: 430 - Plaster for bronze
Date: 1959? - C.N.: 387 - Limestone
Date: 1959? - C.N.: 393 - Marble
Date: 1960 - C.N.: 77 - Bronze
Made for Elm Court School, Tulse Hill south London.
Date: 1960 - C.N.: 195 - charcoal and tempera on paper
Signed H. Henghes 60. On back sighting of a sculpture "birds in flight"
Date: 1960 - C.N.: 407 -
A lifesise Christ commissioned for the church of Monpon Sur l'Isle in the Dordogne along with the stations of the cross.
Date: 1960 - C.N.: 408 -
Jesus is condemned.
One in the series of the Stations of the Cross commissioned for the church of Monpon Sur l'Isle in the Dordogne.
Date: 1960 - C.N.: 409 -
Jesus carries his cross.
One in the series of the Stations of the Cross commissioned for the church of Monpon Sur l'Isle in the Dordogne.
Date: 1960 - C.N.: 410 -
Jesus falls the first time.
One in the series of the Stations of the Cross commissioned for the church of Monpon Sur l'Isle in the Dordogne.
Date: 1960 - C.N.: 411 -
Jesus meets his mother.
One in the series of the Stations of the Cross commissioned for the church of Monpon Sur l'Isle in the Dordogne.
Date: 1960 - C.N.: 412 -
Simon of Cyrene helps carry the cross.
One in the series of the Stations of the Cross commissioned for the church of Monpon Sur l'Isle in the Dordogne.
Date: 1960 - C.N.: 413 -
Veronica wipes Jesus' face.
One in the series of the Stations of the Cross commissioned for the church of Monpon Sur l'Isle in the Dordogne.
Date: 1960 - C.N.: 414 -
Jesus falls a second time.
One in the series of the Stations of the Cross commissioned for the church of Monpon Sur l'Isle in the Dordogne.
Date: 1960 - C.N.: 415 -
Jesus meets the women of Jerusalem.
One in the series of the Stations of the Cross commissioned for the church of Monpon Sur l'Isle in the Dordogne.
Date: 1960 - C.N.: 416 -
Jesus falls the third time.
One in the series of the Stations of the Cross commissioned for the church of Monpon Sur l'Isle in the Dordogne.
Date: 1960 - C.N.: 417 -
Jesus is stripped of his garments.
One in the series of the Stations of the Cross commissioned for the church of Monpon Sur l'Isle in the Dordogne.
Date: 1960 - C.N.: 418 -
Jesus is nailed to the cross.
One in the series of the Stations of the Cross commissioned for the church of Monpon Sur l'Isle in the Dordogne.
Date: 1960 - C.N.: 419 -
Jesus dies on the cross.
One in the series of the Stations of the Cross commissioned for the church of Monpon Sur l'Isle in the Dordogne.
Date: 1960 - C.N.: 420 -
His body is taken down from the cross.
One in the series of the Stations of the Cross commissioned for the church of Monpon Sur l'Isle in the Dordogne.
Date: 1960 - C.N.: 421 -
His body is laid in the tomb.
One in the series of the Stations of the Cross commissioned for the church of Monpon Sur l'Isle in the Dordogne.
Date: 1960 - C.N.: 467 -
Date: 1960 - C.N.: 542 - egg tempora on paper
Date: 1960 - C.N.: 601 - Egg Tempera on paper
Date: 1960 - C.N.: 614 -
Date: 1960 - C.N.: 724 -
Date: 1960 - C.N.: 740 - Egg Tempera on Paper
Date: 1960's - C.N.: 551 - Plaster
Date: 1960? - C.N.: 78 - Cast concrete
Man
Date: 1960? - C.N.: 192 - Tempera on paper
No date, no signature
Date: 1960? - C.N.: 604 - Slate collage
Date: 1960s - C.N.: 149 - tempera on paper
No date, no signature
Date: 1960s - C.N.: 150 - tempera on paper
No date, no signature
Date: 1960s - C.N.: 154 - egg tempera on paper
No date, no signature
Date: 1960s - C.N.: 155 - egg tempera on paper
No date, no signature
Date: 1960s - C.N.: 161 - black paint on paper
No date, no signature
Date: 1960s - C.N.: 162 - black painto on paper
similar to 161
Date: 1960s - C.N.: 164 - charcoal and tempera on paper
abstrct forms of male and female
Date: 1960s - C.N.: 165 - charcoal and tempera on paper
Abstract forms, man and woman
Date: 1960s - C.N.: 167 - tempera on paper
No signature, no date
Date: 1960s - C.N.: 174 - tempera on paper
Abstrtact figure, male. No date, no signature
Date: 1960s - C.N.: 175 - tempera on paper
Abstract figure (female). Study for sculpture, 3 views. No date, no signature
Date: 1960s - C.N.: 193 - charcoal and tempera on paper
No date, no signature
Date: 1960s - C.N.: 201 - charcoal and tempera(?) on paper
study for sculpture, 3 views. No dte, no signature
Date: 1960s - C.N.: 216 - tempera on cartridge paper
No date, no signature
Date: 1960s - C.N.: 225 - Charcoal and tempera on paper
Abstract figure. Woman? No date, no signature. Sketch on back.
Date: 1960s - C.N.: 226 - tempera on paper
Woman, backside. No date, no signature. Sketch on back
Date: 1960s - C.N.: 229 - charcoal on paper
Study for sculpture, 3 views. Na date, no signature.
Date: 1960s - C.N.: 234 - charcoal and tempera on paper
No date, no signature
Date: 1960s - C.N.: 235 - charcoal and tempera on paper
3 Sketches for sculptures
Date: 1960s - C.N.: 238 - charcoal and tempera on paper
3 figures, standing. 60s? 50s?
Date: 1960s - C.N.: 239 - charcoal and tempera on paper
Study for a sculpture (female). No date, no s9gnature
Date: 1960s - C.N.: 244 - black (ink)marker on coloured paper
70s? No date, no signature
Date: 1960s - C.N.: 246 - tempera on heavy cartridge paper
Study for sculpture. No date, no signature
Date: 1960s - C.N.: 250 - tempera on paper
No date, no signature
Date: 1960s - C.N.: 254 - charcoal and tempera on paper
No date, no signature
Date: 1960s - C.N.: 262 - Charcoal and tempera on paper
1950s? Sketch on back. No date, no signature
Date: 1960s - C.N.: 276 - White Cement
Date: 1960s - C.N.: 277 - Limestone
Date: 1960s - C.N.: 281 -
Date: 1960s - C.N.: 282 -
Date: 1960s - C.N.: 283 - Marble
Date: 1960s - C.N.: 284 - Marble
Date: 1960s - C.N.: 285 - Marble
Date: 1960s - C.N.: 292 - Stone
Date: 1960s - C.N.: 296 - Marble
Date: 1960s - C.N.: 297 - Marble
Date: 1960s - C.N.: 300 -
Date: 1960s - C.N.: 504 - egg tempora on paper
Two drawings, one on either side of cartridge paper.
Date: 1960s - C.N.: 518 - egg tempora
Date: 1960s - C.N.: 519 - egg tempora
Date: 1960s - C.N.: 520 - egg tempora
Date: 1960s - C.N.: 538 - egg tempora on paper
Date: 1960s - C.N.: 539 - egg tempora on paper
Date: 1960s - C.N.: 622 -
Date: 1960s - C.N.: 637 -
Date: 1960s - C.N.: 687 -
Date: 1960s - C.N.: 693 -
Date: 1960s - C.N.: 695 -
Date: 1960s - C.N.: 696 -
Date: 1960s - C.N.: 697 -
Date: 1960s - C.N.: 715 -
Date: 1960s? - C.N.: 177 - charcoal, tempera on paper
study for sculpture. On back: 2 figures. No signature, no date.
Date: 1960s? - C.N.: 269 - egg tempera and charcoal onpaper
Still life with vase and flowers on table. No date, no signature
Date: 1960s? - C.N.: 270 - Egg tempera on paper
Late 1960s?? Girl, wearing a cross. No date, no signature
Date: 1960s? - C.N.: 534 - plaster
Date: 1960s? - C.N.: 543 - Iron
Date: 1960s? - C.N.: 631 -
Date: 1960s? - C.N.: 633 -
Date: 1960s? - C.N.: 646 -
Date: 1960s? - C.N.: 653 -
Date: 1960s? - C.N.: 655 -
Date: 1960s? - C.N.: 683 -
Date: 1960s? - C.N.: 685 -
Date: 1960s? - C.N.: 699 -
Date: 1960s? - C.N.: 703 -
Date: 1960s? - C.N.: 709 -
Date: 1961 - C.N.: 295 - limestone
Date: 1961 - C.N.: 309 - Marble
Date: 1961 - C.N.: 394 - Green Slate
Date: 1961? - C.N.: 364 - Marble
Date: 1961? - C.N.: 450 - Limestone
Date: 1961? - C.N.: 460 - Iron
Date: 1961? - C.N.: 513 - egg tempora and charcoal
Date: 1961? - C.N.: 514 - egg tempora and charcoal
Date: 1962 - C.N.: 21 - Stone
Date: 1962 - C.N.: 82 - paint on paper
Signed H. Henghes 62.Colours: light brown, blue, red, pink
Date: 1962 - C.N.: 208 - black marker pencil and tempera
Design for ceramkic? Face. Signed H. Henghes 62
Date: 1962 - C.N.: 320 - Schist
Date: 1962 - C.N.: 322 - Schist and pebbles
Date: 1962 - C.N.: 323 - Schist and gravel
Date: 1962 - C.N.: 324 - wood and schist
Date: 1962 - C.N.: 325 - schist sand and stones
Date: 1962 - C.N.: 326 - Schist and pebbles
Date: 1962 - C.N.: 327 - Schist sand and pebbles
Date: 1962 - C.N.: 328 - schist and pebbles
Date: 1962 - C.N.: 329 - schist and pebbles
Date: 1962 - C.N.: 330 - schist and gravel
Date: 1962 - C.N.: 331 - schist
Date: 1962 - C.N.: 725 -
Date: 1962? - C.N.: 365 - plaster
Date: 1962? - C.N.: 388 - Marble
Date: 1962? - C.N.: 406 - Marble
Date: 1962? - C.N.: 438 - Plaster for bronze
Date: 1963 - C.N.: 18 - Plaster
Henghes made a series of plaster sculptures in the early sixties on metal frames. This piece uses agricultural blades for the cheek plates.
Date: 1963 - C.N.: 256 - chayrcoal and tempera pnm paper
Signed H. Henghes 63
Date: 1963 - C.N.: 261 - charcoal and tempera on paper
Signed H. Henghes 63
Date: 1963 - C.N.: 321 - Schist
Date: 1963 - C.N.: 368 - Plaster for Bronze
Date: 1963 - C.N.: 398 - plaster for bronze
Date: 1963 - C.N.: 399 - plaster for bronze
Date: 1963 - C.N.: 400 - plaster for bronze
Date: 1963 - C.N.: 432 - Plaster fro Bronze
Date: 1963 - C.N.: 613 -
Date: 1963 - C.N.: 762 - Egg Tempera on Paper
Date: 1964 - C.N.: 252 - charcoal and tempera on paper
Signed H. Henghes 64.
Date: 1964 - C.N.: 257 - thick tempera pn cartridge paper
Thick paint. spatula? Sogned H. Henghes 64.
Date: 1964 - C.N.: 606 - Egg tempera on paper
Date: 1964? - C.N.: 265 - charcoal and tempera on paper
No date, no signature
Date: 1964? - C.N.: 266 - charcoal and tempera
No date, no signature
Date: 1964? - C.N.: 267 - charcoal and tempera on paper
No date. Signed H. Henghes
Date: 1964? - C.N.: 268 - charcoal and tempera
No date. Signed H. Henghes
Date: 1964? - C.N.: 448 - Plaster for Bronze
Date: 1965 - C.N.: 405 - bronze
Date: 1965 - C.N.: 433 - Bronze
Date: 1965 - C.N.: 621 - Egg Tempera on paper
Date: 1965 - C.N.: 641 -
Date: 1965 - C.N.: 706 -
Date: 1965 - C.N.: 748 - Egg tempora on paper
Date: 1965? - C.N.: 341 - limestone
Date: 1965? - C.N.: 449 - Plaster for Bronze
Date: 1966 - C.N.: 383 - Bronze
Date: 1966 - C.N.: 605 - Egg tempera
Date: 1966 - C.N.: 692 -
Date: 1966 - C.N.: 714 -
Date: 1966 - C.N.: 717 -
Date: 1966? - C.N.: 361 - Fibreglass
Date: 1966? - C.N.: 362 - Fibreglass
Date: 1966? - C.N.: 375 - Aluminium
Date: 1966? - C.N.: 376 - Aluminium
Date: 1966? - C.N.: 382 - Bronze
Date: 1966? - C.N.: 461 - Bronze
Date: 1966? - C.N.: 690 -
Date: 1966? - C.N.: 718 -
Date: 1967 - C.N.: 7 -
Date: 1967 - C.N.: 242 - Charcoal on paper
Sketch of 2 figures (women or man and woman). Mounted on cardboard. Signed H. Henghes 67
Date: 1967 - C.N.: 458 - Fibreglass
Date: 1967 - C.N.: 502 - egg tempora on paper
Mounted on card
Date: 1967 - C.N.: 503 - egg tempora on paper
Mounted on card
Date: 1967 - C.N.: 505 - Egg Tempora and Charcoal on paper
Mounted on card
Date: 1967 - C.N.: 643 -
Date: 1967? - C.N.: 363 - Bronze
Date: 1967? - C.N.: 366 - aluminium
Date: 1967? - C.N.: 371 - Bronze
Also titled: After a Lion of Delos
Date: 1967? - C.N.: 379 - aluminium
Date: 1967? - C.N.: 431 - Bronze
Date: 1967? - C.N.: 462 - Bronze
Date: 1967? - C.N.: 507 - Egg tempora and charcoal on paper
Mounted on card
Date: 1968 - C.N.: 22 - Bronze
"Heinz Henghes said of this piece ""the most abstract things I've ever done"""
Date: 1968 - C.N.: 10 - Black-Green Bronze
Date: 1968 - C.N.: 9 - Polished Bronze
Date: 1968 - C.N.: 8 - Polished Bronze
Part of a series of polisher bronze works. Many were first modelled in plaster.
Date: 1968 - C.N.: 241 - charcoal on cartridge paper
2 figures, man and woman? Signed H. Henghes 68
Date: 1968 - C.N.: 369 - Bronze
Date: 1968 - C.N.: 370 - Aluminium
Date: 1968 - C.N.: 374 - Bronze
Date: 1968 - C.N.: 384 - Bronze
Date: 1968 - C.N.: 440 - Plaster
Date: 1968 - C.N.: 456 - Fibreglass
Date: 1968 - C.N.: 553 - Bronze
Date: 1968? - C.N.: 2 - White carrara marble with metal inlay
Made whilst head of fine arts at Winchester school of sculpture. This piece is one of a small series made using the technique of insetting metal into stone. This is an uncommon technique in Henghes work.
Date: 1968? - C.N.: 232 - charcoal and tempera on paper
Study for a bronze sculpture, 3 views. Half a sketch on the back.
Date: 1968? - C.N.: 243 - tempera on paper
Study for bronze sculpture. 3 views
Date: 1968? - C.N.: 372 - Bronze
Date: 1968? - C.N.: 380 - Bnze
Date: 1968? - C.N.: 381 - Bronze
Date: 1968? - C.N.: 385 - Resin
Date: 1968? - C.N.: 443 - Marble and metal inlay
Date: 1968? - C.N.: 459 - Plaster
Date: 1968? - C.N.: 477 -
Date: 1968? - C.N.: 549 - Plaster
Date: 1969 - C.N.: 310 - Fibreglass and Iron
Date: 1969 - C.N.: 313 - Fibreglass
Generally displayed alongside matching 'Woman'.
Date: 1969 - C.N.: 314 - Fibreglass
Generally displayed alongside matching 'Man'.
Date: 1969 - C.N.: 377 - Aluminium
Date: 1969 - C.N.: 378 - Aluminium
Date: 1969 - C.N.: 555 - Egg Tempora on paper
Date: 1969 - C.N.: 576 - print
Date: 1969 - C.N.: 577 - Print on paper
Date: 1969 - C.N.: 578 - print
Date: 1969 - C.N.: 579 - Print
Date: 1969 - C.N.: 580 - Print
Date: 1969 - C.N.: 581 - Print
Date: 1969 - C.N.: 582 - Print
Date: 1969 - C.N.: 583 - Print
Date: 1969 - C.N.: 584 - Print
Date: 1969 - C.N.: 585 - Print
Date: 1969 - C.N.: 586 - Print
Date: 1969 - C.N.: 587 - Print
Date: 1969 - C.N.: 588 - Print
Date: 1969 - C.N.: 589 - Print
Date: 1969 - C.N.: 590 - Print
Date: 1969 - C.N.: 591 - Print
Date: 1969 - C.N.: 592 - Print
Date: 1969 - C.N.: 593 - Print
Date: 1969 - C.N.: 594 - Print
Date: 1969 - C.N.: 595 - Print
Date: 1969 - C.N.: 596 - Print
Date: 1969 - C.N.: 597 - Print
Date: 1969 - C.N.: 598 - Print
Date: 1969 - C.N.: 599 - Print
Date: 1969 - C.N.: 600 - Print
Date: 1969 - C.N.: 644 -
Date: 1969 - C.N.: 645 -
Date: 1969 - C.N.: 700 -
Date: 1969 - C.N.: 713 -
Date: 1970 - C.N.: 3 - Fibreglass and metal
This lifesize sculpture was the centrepiece of a 1972 exhibition held at the Archer Gallery. London. Using a technique of molding fiberglass. Henghes created a series of large works from 1969 to 1972 of which this forms part.
Date: 1970 - C.N.: 237 - black paint (marker pen?) on paper
Mounted on a lager piece of cardboard. signed H. Henghes 70
Date: 1970 - C.N.: 316 - Fibreglass
Date: 1970 - C.N.: 435 - Plaster
Date: 1970 - C.N.: 436 - Plaster
Date: 1970 - C.N.: 437 - Plaster
Date: 1970 - C.N.: 463 - Plaster and metal
Maquette for Lifesize piece
Date: 1970 - C.N.: 658 -
Date: 1970 - C.N.: 710 -
Date: 1970 (?) - C.N.: 80 - charcoal on paper
Signed H. Henghes 70 (?).Colour jellow and grey, smudged
Date: 1970? - C.N.: 315 - Fibreglass
Date: 1970? - C.N.: 486 - plaster
Date: 1970s - C.N.: 176 - charcoal on paper
oman, back view. No date, no signature
Date: 1970s - C.N.: 288 - marble
Date: 1970s - C.N.: 506 - Charcoal and egg tempora
Date: 1970s - C.N.: 573 - Marble
Date: 1971? - C.N.: 311 - Marble
Date: 1971? - C.N.: 312 - Marble
Date: 1971? - C.N.: 434 - Marble
Date: 1971? - C.N.: 442 - Black Marble
Date: 1971? - C.N.: 469 -
Date: 1972 - C.N.: 5 - Fiberglass
This is the smallest piece from a series of fiberglass works. Coloured dark grey with a re-inforcing bar underneath. The sculpture has the deliberate appearance of a boulder until one approaches and sees the features of a face.
Date: 1972 - C.N.: 607 - Ink on paper
Date: 1972 - C.N.: 608 - Ink on paper
Sent to his friend and agent Jean-Pierre Lehmans
Date: 1972? - C.N.: 488 - Limestone
Date: 1973 - C.N.: 289 - Marble
Date: 1973 - C.N.: 457 -
Date: 1973? - C.N.: 1 -
A cast made in 1979 from an original mold. The origional stone from which the cast was made also exists. Cast in reconstituted stone (a mixture of white cement and kaolin) using a technique of William Werner.
Date: 1973? - C.N.: 340 - bronze
Date: 1973? - C.N.: 395 -
Date: 1973? - C.N.: 444 - Limestone
In making this torso Henghes was inspired by the shape of a neolithic hand axe.Date: 1973? - C.N.: 446 - Marble
Date: 1973? - C.N.: 447 - Bronze
Date: 1973? - C.N.: 498 - Cast cement
Date: 1973? - C.N.: 517 - limestone
Date: 1973? - C.N.: 568 - Limestone
Date: 1974 - C.N.: 20 - Carrara marble
Date: 1974 - C.N.: 464 -
Date: 1974 - C.N.: 468 -
Date: 1974 - C.N.: 556 - Egg tempora on paper
Date: 1974 - C.N.: 559 - Egg tempora on paper
Date: 1974 - C.N.: 560 - Egg tempora on paper
Date: 1974 - C.N.: 561 - Egg Tempora on Paper
Date: 1974 - C.N.: 562 - Egg Tempora on Paper
Date: 1974 - C.N.: 563 - Egg Tempora on Paper
Date: 1974 - C.N.: 564 - Egg Tempora on Paper
Date: 1974 - C.N.: 566 - Egg Tempora on Paper
Date: 1974 - C.N.: 567 - Egg Tempora on Paper
Date: 1974 - C.N.: 691 -
Date: 1974 - C.N.: 761 - Egg Tempera on Paper
Date: 1974 Dec - C.N.: 610 -
Inscribed 'Clowey' this is the name Heinz gave to the siamese cat belonging to his ex wife 'Chloe'
Date: 1974 Dec - C.N.: 615 -
Date: 1974 December - C.N.: 554 - Egg Tempora on paper
Date: 1974 July - C.N.: 491 - Egg Tempera on paper
Date: 1974 July - C.N.: 492 - egg tempera on paper
Date: 1974 July - C.N.: 493 - egg tempera on paper
Date: 1974 July - C.N.: 494 - egg tempera on paper
Date: 1974 July - C.N.: 495 - egg tempera on paper
Date: 1974 July - C.N.: 496 - egg tempera on paper
Date: 1974 July - C.N.: 497 - egg tempera on paper
Date: 1974? - C.N.: 287 - Limestone
Date: 1974? - C.N.: 391 - stone
Date: 1974? - C.N.: 392 - Stone
Date: 1974? - C.N.: 445 - Marble
Date: 1974? - C.N.: 557 - Egg tempora on paper
Date: 1974? - C.N.: 558 - Egg Tempora on paper
Date: 1974? - C.N.: 565 - Egg Tempora on Paper
Date: 1975 - C.N.: 258 - charcoal and tempera on paper
Study for sculpture, 3 views. Sogned H. Henghes juillet 75
Date: 1975 - C.N.: 508 - egg tempra and charcoal
Date: 1975 - C.N.: 510 - egg tempora and charcoal
Date: 1975 - C.N.: 707 -
Date: 1975 01 - C.N.: 755 - Egg Tempera on Paper
Date: 1975 06 - C.N.: 247 - charcoal and tempera on coloured paper
Mounted on cardboard. Signed H. Henghes January 75
Date: 1975 Jan - C.N.: 509 - edd tempora and charcoal
Date: 1975 Jan - C.N.: 511 - egg tempora and charcoal
Date: 1975 May - C.N.: 541 - Egg Temora on paper
Date: 1975 Oct - C.N.: 490 - Egg Tempera on paper
Date: 1975? - C.N.: 337 -